Poe's Children: The New Horror: An Anthology Read online

  One morning after a particularly vivid version of this dream, Frankie wakes and complains of a funny feeling—“right here”—he says, and points to his forehead. It isn’t a headache, he says. “It’s like bees!” he says. “Buzzing bees!” He rubs his hand against his brow. “Inside my head.” He considers for a moment. “You know how the bees bump against the window when they get in the house and want to get out?” This description pleases him, and he taps his forehead lightly with his fingers, humming, “zzzzzzz,” to demonstrate.

  “Does it hurt?” Karen says.

  “No,” Frankie says. “It tickles.”

  Karen gives Gene a concerned look. She makes Frankie lie down on the couch, and tells him to close his eyes for a while. After a few minutes, he raises up, smiling, and says that the feeling has gone.

  “Honey, are you sure?” Karen says. She pushes her hair back and slides her palm across his forehead. “He’s not hot,” she says, and Frankie sits up impatiently, suddenly more interested in finding a Matchbox car he dropped under a chair.

  Karen gets out one of her nursing books, and Gene watches her face tighten with concern as she flips slowly through the pages. She is looking at Chapter 3: Neurological System, and Gene observes as she pauses here and there, skimming down a list of symptoms. “We should probably take him back to Dr. Banerjee again,” she says. Gene nods, recalling what the doctor said about “emotional trauma.”

  “Are you scared of bees?” he asks Frankie. “Is that something that’s bothering you?”

  “No,” Frankie says. “Not really.”

  When Frankie was three, a bee stung him above his left eyebrow. They had been out hiking together, and they hadn’t yet learned that Frankie was “moderately allergic” to bee stings. Within minutes of the sting, Frankie’s face had begun to distort, to puff up, his eye welling shut. He looked deformed. Gene didn’t know if he’d ever been more frightened in his entire life, running down the trail with Frankie’s head pressed against his heart, trying to get to the car and drive him to the doctor, terrified that the child was dying. Frankie himself was calm.

  Gene clears his throat. He knows the feeling that Frankie is talking about—he has felt it himself, that odd, feathery vibration inside his head. And in fact he feels it again, now. He presses the pads of his fingertips against his brow. Emotional trauma, his mind murmurs, but he is thinking of DJ, not Frankie.

  “What are you scared of?” Gene asks Frankie, after a moment. “Anything?”

  “You know what the scariest thing is?” Frankie says, and widens his eyes, miming a frightened look. “There’s a lady with no head, and she went walking through the woods, looking for it. ‘Give…me…back…my…head….’”

  “Where on earth did you hear a story like that!” Karen says.

  “Daddy told me,” Frankie says. “When we were camping.”

  Gene blushes, even before Karen gives him a sharp look. “Oh, great,” she says. “Wonderful.”

  He doesn’t meet her eyes. “We were just telling ghost stories,” he says, softly. “I thought he would think the story was funny.”

  “My God, Gene,” she says. “With him having nightmares like this? What were you thinking?”

  It’s a bad flashback, the kind of thing he’s usually able to avoid. He thinks abruptly of Mandy, his former wife. He sees in Karen’s face that look Mandy would give him when he screwed up. “What are you, some kind of idiot?” Mandy used to say. “Are you crazy?” Back then, Gene couldn’t do anything right, it seemed, and when Mandy yelled at him it made his stomach clench with shame and inarticulate rage. I was trying, he would think, I was trying, damn it, and it was as if no matter what he did, it wouldn’t turn out right. That feeling would sit heavily in his chest, and eventually, when things got worse, he hit her once. “Why do you want me to feel like shit,” he had said through clenched teeth. “I’m not an asshole,” he said, and when she rolled her eyes at him he slapped her hard enough to knock her out of her chair.

  That was the time he’d taken DJ to the carnival. It was a Saturday, and he’d been drinking a little so Mandy didn’t like it, but after all—he thought—DJ was his son too; he had a right to spend some time with his own son. Mandy wasn’t his boss even if she might think she was. She liked to make him hate himself.

  What she was mad about was that he’d taken DJ on the Velocerator. It was a mistake, he’d realized afterward. But DJ himself had begged to go on. He was just recently four years old, and Gene had just turned twenty-three, which made him feel inexplicably old. He wanted to have a little fun.

  Besides, nobody told him he couldn’t take DJ on the thing. When he led DJ through the gate, the ticket-taker even smiled, as if to say, “Here is a young guy showing his kid a good time.” Gene winked at DJ and grinned, taking a nip from a flask of peppermint schnapps. He felt like a good dad. He wished his own father had taken him on rides at the carnival!

  The door to the Velocerator opened like a hatch in a big silver flying saucer. Disco music was blaring from the entrance and became louder as they went inside. It was a circular room with soft padded walls, and one of the workers had Gene and DJ stand with their backs to the wall, strapping them in side by side. Gene felt warm and expansive from the schnapps. He took DJ’s hand, and he almost felt as if he were glowing with love. “Get ready, Kiddo,” Gene whispered. “This is going to be wild.”

  The hatch door of the Velocerator sealed closed with a pressurized sigh. And then, slowly, the walls they were strapped to began to turn. Gene tightened on DJ’s hand as they began to rotate, gathering speed. After a moment the wall pads they were strapped to slid up, and the force of velocity pushed them back, held to the surface of the spinning wall like iron to a magnet. Gene’s cheeks and lips seemed to pull back, and the sensation of helplessness made him laugh.

  At that moment, DJ began to scream. “No! No! Stop! Make it stop!” They were terrible shrieks, and Gene grabbed the child’s hand tightly. “It’s all right,” he yelled jovially over the thump of the music. “It’s okay! I’m right here!” But the child’s wailing only got louder in response. The scream seemed to whip past Gene in a circle, tumbling around and around the circumference of the ride like a spirit, trailing echoes as it flew. When the machine finally stopped, DJ was heaving with sobs, and the man at the control panel glared. Gene could feel the other passengers staring grimly and judgmentally at him.

  Gene felt horrible. He had been so happy—thinking that they were finally having themselves a memorable father and son moment—and he could feel his heart plunging into darkness. DJ kept on weeping, even as they left the ride and walked along the midway, even as Gene tried to distract him with promises of cotton candy and stuffed animals. “I want to go home,” DJ cried, and “I want my mom! I want my mom!” And it had wounded Gene to hear that. He gritted his teeth.

  “Fine!” he hissed. “Let’s go home to your mommy, you little crybaby. I swear to God, I’m never taking you with me anywhere again.” And he gave DJ a little shake. “Jesus, what’s wrong with you? Lookit, people are laughing at you. See? They’re saying, ‘Look at that big boy, bawling like a girl.’”

  This memory comes to him out of the blue. He had forgotten all about it, but now it comes to him over and over. Those screams were not unlike the sounds Frankie makes in the middle of the night, and they pass repeatedly through the membrane of his thoughts, without warning. The next day, he finds himself recalling it again, the memory of the scream impressing his mind with such force that he actually has to pull his UPS truck off to the side of the road and put his face in his hands: Awful! Awful! He must have seemed like a monster to the child.

  Sitting there in his van, he wishes he could find a way to contact them—Mandy and DJ. He wishes that he could tell them how sorry he is, and send them money. He puts his fingertips against his forehead, as cars drive past on the street, as an old man parts the curtains and peers out of the house Gene is parked in front of, hopeful that Gene might have a package for him.


  Where are they? Gene wonders. He tries to picture a town, a house, but there is only a blank. Surely, Mandy being Mandy, she would have hunted him down by now to demand child support. She would have relished treating him like a deadbeat dad, she would have hired some company who would garnish his wages.

  Now, sitting at the roadside, it occurs to him suddenly that they are dead. He recalls the car wreck that he was in, just outside Des Moines, and if he had been killed they would have never known. He recalls waking up in the hospital, and the elderly nurse who had said, “You’re very lucky, young man. You should be dead.”

  Maybe they are dead, he thinks. Mandy and DJ. The idea strikes him a glancing blow, because of course it would make sense. The reason they’d never contacted him. Of course.

  He doesn’t know what to do with such premonitions. They are ridiculous, they are self-pitying, they are paranoid, but especially now, with their concerns about Frankie, he is at the mercy of his anxieties. He comes home from work and Karen stares at him heavily.

  “What’s the matter?” she says, and he shrugs. “You look terrible,” she says.

  “It’s nothing,” he says, but she continues to look at him skeptically. She shakes her head.

  “I took Frankie to the doctor again today,” she says, after a moment, and Gene sits down at the table with her, where she is spread out with her textbooks and notepaper.

  “I suppose you’ll think I’m being a neurotic mom,” she says. “I think I’m too immersed in disease, that’s the problem.”

  Gene shakes his head. “No, no,” he says. His throat feels dry. “You’re right. Better safe than sorry.”

  “Mmm,” she says, thoughtfully. “I think Dr. Banerjee is starting to hate me.”

  “Naw,” Gene says. “No one could hate you.” With effort, he smiles gently. A good husband, he kisses her palm, her wrist. “Try not to worry,” he says, though his own nerves are fluttering. He can hear Frankie in the backyard, shouting orders to someone.

  “Who’s he talking to?” Gene says, and Karen doesn’t look up.

  “Oh,” she says. “It’s probably just Bubba.” Bubba is Frankie’s imaginary playmate.

  Gene nods. He goes to the window and looks out. Frankie is pretending to shoot at something, his thumb and forefinger cocked into a gun. “Get him! Get him!” Frankie shouts, and Gene stares out as Frankie dodges behind a tree. Frankie looks nothing like DJ, but when he pokes his head from behind the hanging foliage of the willow, Gene feels a little shudder—a flicker—something. He clenches his jaw.

  “This class is really driving me crazy,” Karen says. “Every time I read about a worst-case scenario, I start to worry. It’s strange. The more you know, the less sure you are of anything.”

  “What did the doctor say this time?” Gene says. He shifts uncomfortably, still staring out at Frankie, and it seems as if dark specks circle and bob at the corner of the yard. “He seems okay?”

  Karen shrugs. “As far as they can tell.” She looks down at her textbook, shaking her head. “He seems healthy.” He puts his hand gently on the back of her neck and she lolls her head back and forth against his fingers. “I’ve never believed that anything really terrible could happen to me,” she had once told him, early in their marriage, and it had scared him. “Don’t say that,” he’d whispered, and she laughed.

  “You’re superstitious,” she said. “That’s cute.”

  He can’t sleep. The strange presentiment that Mandy and DJ are dead has lodged heavily in his mind, and he rubs his feet together underneath the covers, trying to find a comfortable posture. He can hear the soft ticks of the old electric typewriter as Karen finishes her paper for school, words rattling out in bursts that remind him of some sort of insect language. He closes his eyes, pretending to be asleep when Karen finally comes to bed, but his mind is ticking with small, scuttling images: his former wife and son, flashes of the photographs he didn’t own, hadn’t kept. They’re dead, a firm voice in his mind says, very distinctly. They were in a fire. And they burned up. It is not quite his own voice that speaks to him, and abruptly he can picture the burning house. It’s a trailer, somewhere on the outskirts of a small town, and the black smoke is pouring out of the open door. The plastic window frames have warped and begun to melt, and the smoke billows from the trailer into the sky in a way that reminds him of an old locomotive. He can’t see inside, except for crackling bursts of deep orange flames, but he’s aware that they’re inside. For a second he can see DJ’s face, flickering, peering steadily from the window of the burning trailer, his mouth open in an unnatural circle, as if he’s singing.

  He opens his eyes. Karen’s breathing has steadied, she’s sound asleep, and he carefully gets out of bed, padding restlessly through the house in his pajamas. They’re not dead, he tries to tell himself, and stands in front of the refrigerator, pouring milk from the carton into his mouth. It’s an old comfort, from back in the days when he was drying out, when the thick taste of milk would slightly calm his craving for a drink. But it doesn’t help him now. The dream, the vision, has frightened him badly, and he sits on the couch with an afghan over his shoulders, staring at some science program on television. On the program, a lady scientist is examining a mummy. A child. The thing is bald—almost a skull but not quite. A membrane of ancient skin is pulled taut over the eye sockets. The lips are stretched back, and there are small, chipped, rodentlike teeth. Looking at the thing, he can’t help but think of DJ again, and he looks over his shoulder, quickly, the way he used to.

  The last year that he was together with Mandy, there used to be times when DJ would actually give him the creeps—spook him. DJ had been an unusually skinny child, with a head like a baby bird and long, bony feet, with toes that seemed strangely extended, as if they were meant for gripping. He can remember the way the child would slip barefoot through rooms, slinking, sneaking, watching, Gene had thought, always watching him.

  It is a memory that he has almost, for years, succeeded in forgetting, a memory he hates and mistrusts. He was drinking heavily at the time, and he knows now that alcohol had grotesquely distorted his perceptions. But now that it has been dislodged, that old feeling moves through him like a breath of smoke. Back then, it had seemed to him that Mandy had turned DJ against him, that DJ had in some strange way almost physically transformed into something that wasn’t Gene’s real son. Gene can remember how, sometimes, he would be sitting on the couch, watching TV, and he’d get a funny feeling. He’d turn his head and DJ would be at the edge of the room, with his bony spine hunched and his long neck craned, staring with those strangely oversized eyes. Other times, Gene and Mandy would be arguing and DJ would suddenly slide into the room, creeping up to Mandy and resting his head on her chest, right in the middle of some important talk. “I’m thirsty,” he would say, in imitation baby-talk. Though he was five years old, he would play-act this little toddler voice. “Mama,” he would say. “I is firsty.” And DJ’s eyes would rest on Gene for a moment, cold and full of calculating hatred.

  Of course, Gene knows now that this was not the reality of it. He knows: he was a drunk, and DJ was just a sad, scared little kid, trying to deal with a rotten situation. Later, when he was in detox, these memories of his son made him actually shudder with shame, and it was not something he could bring himself to talk about even when he was deep into his 12 steps. How could he say how repulsed he’d been by the child, how actually frightened he was. Jesus Christ, DJ was a poor wretched five-year-old kid! But in Gene’s memory there was something malevolent about him, resting his head pettishly on his mother’s chest, talking in that sing-song, lisping voice, staring hard and unblinking at Gene with a little smile. Gene remembers catching DJ by the back of the neck. “If you’re going to talk, talk normal,” Gene had whispered through his teeth, and tightened his fingers on the child’s neck. “You’re not a baby. You’re not fooling anybody.” And DJ had actually bared his teeth, making a thin, hissing whine.

  He wakes and he can�
��t breathe. There is a swimming, suffocating sensation of being stared at, being watched by something that hates him, and he gasps, choking for air. A lady is bending over him, and for a moment he expects her to say: “You’re very lucky, young man. You should be dead.”

  But it’s Karen. “What are you doing?” she says. It’s morning, and he struggles to orient himself—he’s on the living room floor, and the television is still going.

  “Jesus,” he says, and coughs. “Oh, Jesus.” He is sweating, his face feels hot, but he tries to calm himself in the face of Karen’s horrified stare. “A bad dream,” he says, trying to control his panting breaths. “Jesus,” he says, and shakes his head, trying to smile reassuringly for her. “I got up last night and I couldn’t sleep. I must have passed out while I was watching TV.”

  But Karen just gazes at him, her expression frightened and uncertain, as if something about him is transforming. “Gene,” she says. “Are you all right?”

  “Sure,” he says, hoarsely, and a shudder passes over him involuntarily. “Of course.” And then he realizes that he is naked. He sits up, covering his crotch self-consciously with his hands, and glances around. He doesn’t see his underwear or his pajama bottoms anywhere nearby. He doesn’t even see the afghan, which he’d had draped over him on the couch while he was watching the mummies on TV. He starts to stand up, awkwardly, and he notices that Frankie is standing there in the archway between the kitchen and the living room, watching him, his arms at his sides like a cowboy who is ready to draw his holstered guns.